Every great space station in science fiction — from Babylon 5's five-mile rotating cylinder to the Citadel in Mass Effect to the spinning ring of 2001: A Space Odyssey — shares one quiet assumption: somebody, or something, built it up there. Not folded it into a rocket fairing and hoped it would unfurl correctly, but actually assembled it, beam by beam, in the void.

In a boardroom at the Walt Disney Company, sometime in late 2024, a conversation ended before it could properly begin. Adam Driver and Steven Soderbergh — an Oscar-nominated actor and an Oscar-winning director, two of American cinema's most respected working artists — had spent two years developing a standalone Star Wars film titled The Hunt for Ben Solo.

Can you name a director working today who has shaped the visual and intellectual language of space sci-fi more profoundly than Denis Villeneuve? In barely a decade, the Canadian filmmaker has delivered four theatrical releases that collectively redefined what mainstream audiences expect from the genre.

Zero. That is the number of Star Trek television series currently in production for the first time since 2017, when Discovery launched and ignited a modern renaissance that would eventually deliver five concurrent shows across streaming and linear television.

For decades, visions of life on Mars have been dominated by sleek domes, science-fiction skylines, and heroic astronauts gazing across crimson horizons. The reality, however, is far less glamorous and infinitely more fascinating. Long before humanity builds cities on Mars, it must first solve a much simpler problem: How do you keep four people alive inside an enormous, freezing, radiation-soaked desert millions of miles from Earth?

Every media executive in Silicon Valley will tell you print is finished. Every venture capitalist will insist that magazines belong to the same archaeological stratum as VHS tapes and dial-up modems. And yet on 13 November 2026, a 100-page annual magazine called Starlog will land on the shelves of Barnes & Noble, Target, and Walmart across North America — its first issue in seventeen years.

This week, Ron Howard confirmed he will direct the pilot of a television adaptation of Daniel H. Wilson's Robopocalypse, with Akiva Goldsman attached as showrunner and Steven Spielberg executive-producing through Amblin Entertainment. The announcement, reported by The Hollywood Reporter, represents a sharp turn for a project that spent fifteen years trapped in development as a feature film

Across five seasons and 50 episodes, Apple TV's For All Mankind has accumulated a 91% Rotten Tomatoes approval rating, spawned a spin-off series, and built a fictional timeline stretching from 1969 to the present day. It has done so without a single phaser, transporter, or warp drive — and in the process, it has quietly become what Star Trek used to be.